In Ruins: Stacked
, ink on drafting film, 20"x20", 2014
A drawing created for my exhibition, Constructs
, with Gladys Poorte at Davis Gallery in Austin, TX, October 25 - December 6, 2014. Opening Reception, Saturday, October 25, 7-9 p.m., and Artist Talk, Friday, December 5, 6-8 p.m.
, an exhibition at the Kramer Gallery, Austin Community College, Austin, Texas, 9/2-10/2, 2014.
The works in this series reflect my continued interest in disasters and detris. The title Salvaged
references rescued or retrieved items, as in debris snagged in a fisherman’s net, or mementos collected after a house fire.
1. Salvaged #1
, ink on mylar, 8"x8", 2014
2. Salvaged #2
, ink on mylar, 8"x8", 2014
3. Salvaged: Tangled Nets
, ink on mylar, 12"x12", 2014
4. Salvaged: Big Catch
, litho crayon on mylar, 8'x6', 2014
5. Salvaged: Caught in the Net
, found objects, hand tied net, rope, 2014
exhibition at Redux Contemporary Art Center
in Charleston, SC, May 16 - June 30, 2014. I spent a week constructing this installation, which I now refer to as the "hornet's nest" made from furniture, wood, trash and miscellaneous objects found on the streets of Charleston.
"My parents were hoarders, and even though now we have a TV show about it, back then I think it was kind of normal. It was the Cold War, post-Depression era. People saved and recycled everything. My mother had collections, which were slightly organized chaos. There were dolls everywhere and ceramic figurines everywhere. My father had sheds filled with things. He collected everything. Plastic bottles, bags, he would reuse for some other thing. There was a room in our basement that was filled with plastic containers. I used to play in the backyard, which was basically like a junkyard. Every car my family owned ended up there. It was a car graveyard." She pauses and laughs. "It was kind of crazy."
These early years became the inspiration for much of Hammonds' work. "I'm interested in memories. I'm interested in memorializing all these things through saved objects. It used to be that I was using the actual objects — dolls, china, bottles — that my grandmother, father, or mother owned, but now it's turned into objects that remind me of those things. It's not as literal anymore. It's all about saving little bits and pieces to preserve the memory of things."
-- A Beautiful Disaster
A Beautiful Disaster, By Leah Rhyne
Hollis Hammonds’ Worthless Matter, By Stacy Huggins
Hollis Hammonds: Worthless Matter, By Pauline West
exhibition at the Dorothy W. and C. Lawson Jr. Reed Gallery
at the University of Cincinnati, DAAP. February 10 - April 6, 2014. This exhibit surveys works created between 2011 and 2014. Exhibition design by Aaron Cowan, photography by Michael Everett.
Wave of Mutilation: Hollis Hammonds’ “Worthless Matter” at Dorothy W. and C. Lawson Reed, Jr. Gallery, DAAP, By Keith Banner
Drawn In / Drawn Out
, an exhibit of contemporary drawing at the Grace Museum in Abilene, TX. Images of "My House: The Storm" and "Worthless Matter."
, summer 2013.
In the summer of 2013 I created two large-scale works. The first is a ten-foot diameter sculptural installation made of found objects and held together compositionally with wood veneer strips representing the uncontrollable forces of a storm. The second work is an eleven-foot wide Lithography-crayon drawing on multiple sheets of drafting film, depicting a giant asteroid-like sphere of trash and debris. Both works question consumerist habits, one a symbol of mass consumption, the other a tragedy in the making, as chairs and personal items are spun up in a storm-like organism.
Both were featured in New American Paintings #114.
1. Worthless Matter: Forgotten Home
, wood veneer & found objects, as installed in my studio, summer 2013
2-5. Worthless Matter
, lithographic crayon on drafting film, installation views from Mark(ing) Time: Expanded Notions in Drawing
, Dishman Art Museum, Beaumont, Texas, 8/15-10/1, 2014
(1-4), charcoal on paper, 48"x48", 2014.
At the age of fifteen, my family home burnt to the ground, leaving only heaping piles of the burnt remnants of my childhood. It was a reality, and as such, I continued on with little regret. However, in the studio, my childhood memories have emerged through my creative practice. All of a sudden smoke and ash began appearing in my drawings, as I erased, smudged and smeared charcoal over drawn images of piles of rubble and crumbling architectural structures. In the Smoke Rising
series I used erasure (creating smoke like forms) as a means to alter and consume the land/cityscape.
My Exploding House
1. My Exploding House, ink and marker on drafting film, 20"x20", 2012
2. My Exploding House #2, ink and marker on drafting film, 20"x20", 2014
3. Losing My Religion, marker and mixed media on panel, 12"x12", 2014
exhibition at Hiestand Galleries
at Miami University in Oxford, Ohio, November 8-16, 2012.
exhibition at the Museum of Art
at University of Southern Mississippi in Hattiesburg, Mississippi, August 30 - September 22, 2012.